If you have ever
thrown down this white-hot buckshot,
creature of pocked carapace that hauls itself
back up the esophagus,
perhaps you would agree
that it tastes like purple
or something perched equally vertiginous
on the cliff of synesthesia.
Purple is how a friend
described the sorghum-based baijiu,
dust of the attic, wine of the gutter,
tasting as good,
osmanthus, blue cheese,
turpentine, hints of feet
with a long finish into the fetor of fragrance.
Baijiu is the nuclear option
on a night out,
like pressing fast-forward on the evening,
like purchasing a shame token for morning spending.
It has been called
embalming acid, firewater,
electric sunshine, bane liquor,
Satan’s vodka, Pure Joy, Swellfun
(which is actually the name of a brand in Chengdu),
philter for those who need it,
desiccant of the aroused spirit,
and, colloquially, That goddam shit,
smirking inside foil-sealed glass snifters
or vomit-green bottles on the neighborhood shelves
of bad and worse ideas,
an extended hand to pull you onto a sinking boat,
the first drink at the start of a slippery slope,
it has become shorthand for,
Let’s get drunk tonight, guv,
Let’s crunk at Coco Banana,
and friendship,
because true friends go bottoms up.
The other day,
intoxicated
around noon,
I got to thinking of other things that taste like purple:
surely that which is sour,
heirloom beets like bull’s blood,
Sacrament wine to the nonbeliever,
that which is strange,
wisteria without the word wisteria,
blazing stars, vervains,
scents like stinky tofu,
certain spices like saffron,
or currants, taro, tree fungus,
flash-fried amaranth, Job’s tears, the stain
of blackberries on vanilla ice cream,
and maybe shrimp chips.
But let us move away from this culinary pond
into the wider sea of the everyday,
where poetasters writing in rhetorical cursive
are practicing purple,
and the lawn without signage in November
is exemplifying purple, as a president says.
Purple is the place where unanswered Weixins wait,
where faint skies hide, and unfinished malls die.
Purple is the gaoler on the isle of memory,
and the pride on the toothy grin of your local peddler.
We can navigate the entire spectrum of color
and assign each hue to a noun, adjective, or conjunction
in all manners of action—
the and/or buddying up with orange,
pinchbeck grasping Zeta bar’s stripper pole,
chartreuse and foie gras frolicking on a plate,
mustard-ecru leaning in to kiss yuck—
a foreboding bloodred for a pack of orcas
tracking a mottled gray-white calf
(probably along Sanlitun Bar Street),
a salamander pink for the Chinese acrobat’s anti-gravity,
a water’s gilding for the bristle of Tiger Leaping Gorge,
and the richest imprint of black
for the concert master’s smile
as she prepares to filch the breath of all
who have never heard the opening of Symphonie Espagnole.
Like this we can array
a world of whatsits and thingamabobs that otherwise
would suffer in the stark demesne of the nameless,
troglobites in their evolved blindness,
a ghost blowing your cap off,
feelings like
the trill against your sternum upon the perfect ostinato,
the dilation of a green iris debouched from shade into a field of gold,
and even catalogue our most minimal endeavors
as brown or beige, burnt or raw umber,
teal if we are beside a window watching the season’s first snowfall,
so that a tousle-headed boy asking a freckled girl to the Irish Ball
can be called rose madder or alizarin,
and her answer, whatever it may be,
just different shades of the same heart-wrenching blue.